Advert

REVIEW: ‘No YouTube video will ever convey how incredible it is’ Lord Of The...

0
'30 YEARS OF STANDING OVATIONS’ trumpeted the huge video screen at Oxford’s New Theatre, shortly before the cheeky, glittering Little Spirit pranced on stage to begin the...

REVIEW: ‘A full-throttle take on Shakespeare’s darkest play’ Don’t miss Wild Goose’s Macbeth at...

0
In order to fully explore the seemingly bottomless murky depths of Macbeth, directors can often opt for a slow and ponderous approach, but this isn’t the path...

‘The duck’s nuts’ Headlong’s world premiere ROBOTA at Schwarzman Centre is a modern day...

0
A young boy was sitting on the steps of The Schwarzman Centre last night scrolling through TikTok, seemingly unaware that a few metres away, the apocalyptic consequences...

‘Waitress smashes it out of the park’ Celebrate the musical’s 10th anniversary at New Theatre...

0
The title of this musical written by Jessie Nelson and Sara Bareilles, ‘Waitress’, and the plot about yes, a waitress who discovers herself through her love of...

WORLD PREMIERE: We review ÁRA – Sigur Rós’ unmissable, immersive soundscape at Oxford’s Schwarzman...

0
How to describe the world premiere of Sigur Rós' incredible, immersive soundscape ÁRA at the Schwarzman Centre, Oxford? Fascinating, transportive, freeing, inspiring and utterly unique. More than that,...

REVIEW: Summer Shakespeare season off to flying start as BMH’s ‘topical, assured and heart-tugging’...

0
It’s impossible for Shakespeare’s play, Julius Ceasar not to be topical because as long as there is a democratically elected leader anywhere in the world trying to become an...

REVIEW: ‘A spell-binding and jaw-dropping show. Greg Doran’s restaging of his RSC Venus & Adonis...

0
Considering its origin – written in London during lockdown (during the plague of 1592-93) and its central, gender role-reversing premise: hot-for-it female given the cold shoulder by...

REVIEW: ‘Whatever you do, don’t miss it!’ Juliet Aubrey steals the show in Noel...

0
The Marquise is one of Noel Coward's lesser known plays - he even referred to it himself as a "tenuous, frivolous little piece" - but disregard Noel...

REVIEW: Welcome to the House of Fun! Our House – the Madness jukebox musical –...

0
‘Luv it!’ purred the shaven-headed, Ageing Madness Fan (about my age) sitting next to me as the plaintive piano intro of ‘It Must Be Love’ rang out...

REVIEW: What on earth has Stan done? Pinter’s classic comedy The Birthday Party sells...

0
Before the actors even take to the stage, a big ‘Hooray!’ to the University of Oxford cast and crew for finally bringing a Pinter play to an...
Facebook
Twitter
Instagram