REVIEW: Sexy, sassy and sticking it to the sovereign. SIX The Musical will scorch...
"I'd see that again anytime. I loved it. Absolutely loved it," my teenage daughter told me, uncharacteristically jubilant.
We'd all given it a standing ovation, all clapped and...
REVIEW: Mamma Mia! at Oxford’s New Theatre is the perfect antidote this Christmas
The couple behind us at Oxford's New Theatre had never seen Mamma Mia the film or the musical and had no idea what was about to unfold....
REVIEW: ‘the future looks bright’ for GOYA after sell out world premiere of Smart...
The North Wall's ability to transform its flexible space to accommodate the needs of each production it hosts is always impressive. Hosting Smart Casual: A New Musical...
REVIEW: If you only see one thing this year make sure it’s ‘Pride and...
Pride and Prejudice is a sacred text, not to be trivialised, messed with, badly adapted or patronised.
So news that an all female cast were taking on...
REVIEW: Do You Love Me Yet? at Oxford Playhouse is live, bold, intimate, uncomfortable...
Despite getting the full low down on Do You Love Me Yet?, the brand new digital show being brought to us this week by Oxford Playhouse, I...
OUR TOP CHRISTMAS SHOW REVIEWS: Jack and The Beanstalk, A Christmas Carol, Cinderella, Glacier...
There's still time to book the best shows in Oxfordshire READ OUT TOP 20+ FESTIVE PICKS HERE And here are our TOP FIVE REVIEWS to help you...
REVIEW: ‘An astonishing performance. Anton Lesser and Charlie Hamblett in Red Sky at Sunrise...
Deirdre Shield’s adaptation of Laurie Lee’s much-loved trilogy played for one night only at Oxford Playhouse took place on a simple stage with Orchestra of the Swan and...
REVIEW: Poohs, farts, groping and illicit drinking. Groan Ups at Oxford Playhouse has “moments...
"I tell you what, that Chemise was legendary" my husband commented as we walked back to the car after watching Groan Ups at the Oxford Playhouse last...
REVIEW: Margaret Atwood on Brexit, influencing, the handbag’s tale and other stories at The...
Praise be! The iconic Margaret Atwood came to New Theatre Oxford to celebrate the release of The Testaments, released 34 years after The Handmaid’s Tale.
She was...
REVIEW: ‘A deserved sellout’ The Welsh National Opera brings Benjamin Britten’s Death in Venice...
The Welsh National Opera proved their world class status this week with two very different works: Benjamin Britten’s Death in Venice and Mozart’s Cosi Fan Tutte -...
