Two friends, a new theatre company and Still No Idea will keep them laughing...
“Luckily running your own company is much more glamorous than we thought. Just yesterday we stayed in the Novotel in Milton Keynes and had to walk up...
REVIEW: It’s a saucy night out! OTG’s Nell Gwynn at Oxford Playhouse makes you...
Blushing? It was hard not to. Because as Nell Gwynn took centre stage both at the Oxford Playhouse and in King Charles II's life, the innuendoes, smutty...
REVIEW: A perfect digital Dorian? “The Picture Of Dorian Gray is a riveting and...
If director Tamara Harvey's intention was to bring The Picture Of Dorian Gray kicking and screaming into the 21st century, then it succeeds instantly.
Co-presented by Oxford Playhouse...
REVIEW: ‘A deserved sellout’ The Welsh National Opera brings Benjamin Britten’s Death in Venice...
The Welsh National Opera proved their world class status this week with two very different works: Benjamin Britten’s Death in Venice and Mozart’s Cosi Fan Tutte -...
REVIEW: Why you should go and see David Hare play Skylight, at The Theatre...
Written by David Hare in 1995, Skylight is uncomfortably voyeuristic and tantalisingly engrossing. Like a jigsaw as the plot weaves and winds fatalistically through Kyra and Tom's...
REVIEW: Educating Rita, at Oxford Playhouse all week, is as brilliant as ever. But...
Educating Rita really got me thinking.
I mean here's a play written in 1980 by Willy Russell to highlight the disparities between the classes, sexes and education, in...
Review: Why Creation’s The Tempest almost sold out before it even began
“Welcome to Creation Cruises. We hope you enjoy your voyage,” said a crew member in an ‘Officer and a Gentlemen’ style white uniform.
We may have been on...
WHY IT’S A BIG DEAL: Oxford Playhouse stages The Globe’s Julius Caesar in new...
It's a massive achievement for Oxford Playhouse to not only bring Shakespeare’s Globe to Oxford this summer, but to enable Julius Caesar to be staged outside, by...
More tickets released as Creation’s live, virtual version of The Tempest sells out around...
"It's a bit like Goggle Box crossed with Shakespeare", Lucy Askew, creative director at Creation Theatre Company tells me, even though she can scarcely believe the success...
‘History is about to crack wide open’ Two fast-paced, highly emotive and relevant student...
Two fast-paced, highly emotive and relevant dramas are about to unfold on the Oxford Playhouse stage from tonight as Angels in America: Millennium Approaches and Medea pan...
