BOOK NEXT CONCERTS NOW: ‘One of the jewels in Oxford’s musical crown’ Instruments of...
One of the many jewels in Oxford’s musical crown is the chamber orchestra Instruments of Time and Truth, directed by Edward Higginbottom - ex-choirmaster of New College....
REVIEW: Gregory Doran’s The Two Gentlemen of Verona at Oxford Playhouse is ‘a superb...
More than a youthful romp in Shakespeare’s corpus, Gregory Doran’s production of The Two Gentlemen of Verona breathes new life into the early Elizabethan comedy.
Doran, after 35 years...
REVIEW: Creation ‘thrillingly shunts George Orwell’s tragically inevitable tale Animal Farm into the 21st...
From the off, Creation Theatre’s current production of George Orwell’s Animal Farm not only retains a gripping sense of unease, but thrillingly shunts the tragically inevitable original...
REVIEW: ‘Buckle up sluts, Mamma’s goin’ fishing’ Why you MUST SEE the brilliant, filthy...
There is absolutely no doubt that new, headline-grabbing musical Unfortunate - The Untold Story Of Ursula The Sea Witch on at Oxford Playhouse all week, will be...
REVIEW: “AN AMUSING AND FUN NIGHT OUT” OTG’S THE IMPORTANCE OF BEING EARNEST IS...
It was such a pleasure to revisit the Oscar Wilde classic The Importance Of Being Earnest with all its memorable asides at Oxford Playhouse last night, brought...
REVIEW: ‘Everything I wanted from an opera’ English Touring Opera’s Rake’s Progress hits Oxford...
English Touring Opera brought The Rake’s Progress and Puccini’s Manon Lescaut to Oxford Playhouse this week. In her programme notes, Director Polly Graham appropriately describes Stravinsky’s ‘The Rake’s...
BOOK NOW: ‘It’s a very funny play’ OTG’s 1920s take on The Importance of...
"At the moment people want escapism, and The Importance of Being Earnest is a very funny play. It needs to be a crowd pleaser to fill the...
REVIEW: ‘A first class affair’ Oxfordshire Youth Music Theatre’s ‘Anything Goes’ is ‘a slick,...
Far be it from me to go overboard with praise, but Oxfordshire Youth Music Theatre’s latest production can only be described as a first-class affair.
Putting on the...
REVIEW: Rapturous laughter, raucous stories, and a touch of saxophone – Half Cut Theatre’s...
From the weathered pages of Geoffrey Chaucer’s 14th century work comes to life a wickedly smart four-handed reworking of The Canterbury Tales, proving once again the timelessness...
REVIEW: ‘A deserved sellout’ The Welsh National Opera brings Benjamin Britten’s Death in Venice...
The Welsh National Opera proved their world class status this week with two very different works: Benjamin Britten’s Death in Venice and Mozart’s Cosi Fan Tutte -...
